HEDDA
Monday, September 15th, 2008Curiousity took me to the Gate Theatre to see how Hedda Gabler would stand up to modern day up-dating.
Hidden right behind Notting Hill tube next to the Prince Albert pub, The Gate is a tiny theatre, which manages to present some very interesting work and there is no doubt that taking Ibsen’s 19th century masterpiece and relocating it to contemporary Notting Hill was a brave move. But was it a successful one?
Skin’s writer, Lucy Kirkwood’s modern adaptation certainly touches on topical issues and successfully alters the language into a colloquial form but she never quite manages to side step the problem that this modern Hedda, unlike her 19th-century counterpart, doesn’t have to be trapped by social and marital conventions. Still the world she creates is persuasive and under Carrie Cracknell’s direction the ensemble of young actors manage to intensify the tension as the action progresses. Cara Horgan is an impulsive, icy Hedda who may be difficult to like but is none the less convincing in all her magnetic destructiveness. And of particular note is Tom Mison as earnest, genial George Tesman, whose scintillating masterpiece on robotic ants is doomed to fail to impress.
In addition to a convincing cast, Cracknell’s production is a stylish one, and Kirkwood’s adapation is thoughtfully constructed. The set design of Tesman’s crumbling basement flat (by Holly Waddington) hits just the right claustrophobic note.
This production may have its faults, but it proved to be a riveting two hours. With a further extension due to its current success I urge you to take a look for yourself.
HEDDA
Gate Theatre
28 August – 27 September
0207 229 0706




